Ganawenindizo (She Takes Care of Herself)

Ganawenindizo Exhibit  at the Phipps Center for the Arts, Hudson, Wisconsin
May 10-June 23, 2024

---

Reflecting on the Ganawenindizo Exhibit: A Journey of Art, Tradition, and Self-Reliance

Standing in the gallery, surrounded by the culmination of ten years of artistic evolution, was a profoundly rewarding experience. The Ganawenindizo exhibit was not just a display of my work but a testament to the different disciplines I love exploring. There was a sense of uncertainty in sharing my work on such a large scale, especially as it meant exposing a part of my vulnerability. Yet, this vulnerability was powerful, bringing a sense of connection and authenticity to the exhibit.

Ganawenindizo, meaning "She takes care of herself, is self-reliant," perfectly encapsulates the spirit of this journey. The title reflects my independent nature and the resilience required to pursue my passions. It also honors those who have helped shape who I am today—my ancestors, mother, children, elders, community, and culture. This exhibit is a tribute to them as much as it expresses my journey.

Honoring my mother, children, relatives, community, culture, and ancestors through this artwork was incredibly important. Their influence, support, and love have been integral to my growth as an artist and a person. Through this exhibit, I hope to offer a message of healing, love, and living authentically.

The fusion of art, tradition, and innovation in Ganawenindizo is a testament to the resilience of the human spirit. It embodies the enduring power of prayer and the ability to transcend darkness, illuminating the path to a brighter future. The collection consisted of 15 paintings and three galleries, each with its own unique installation pieces, two of which invited viewer interaction. Additionally, 13 pieces of poetry were featured, with some artworks dating back to 2016, though most were newer creations.

Sharing my poetry was particularly daunting, as I am not formally trained as a writer. These writings had been held close for a long period of time, and it was the passing of a former friend who encouraged me to further explore writing that gave me the courage to share this aspect of my creativity with others. Their encouragement made this the moment to finally let my poetry be seen and heard.

I must express my deep appreciation for the Watermark Art Center, which provided space in 2018 for a solo show and allowed room for experimental installation work. Their support was pivotal in this journey, as the occasional profit from these opportunities enabled me to build a show with substance and depth. While I do not know what the future holds for my journey as an artist or when the next opportunity will arise, I am incredibly thankful for the chance to share my work in such a meaningful way.

One of the greatest joys of this exhibit was sitting in the space with my daughter Niska, one of my many muses. We reflected on the artwork and discussed the myriad possibilities for the installation of "Illuminating Prayers," a piece that truly has the potential to grow endlessly. Her insights and enthusiasm were invaluable, adding another layer of meaning to the exhibit.

Sharing one's creative endeavor is a deeply personal journey, and I am immensely grateful to everyone who joined us for the exhibit, embracing the vulnerability and intimacy of the experience. Bringing this vision to life was challenging, especially with limited resources. However, my belief in the work propelled me forward, and the exhibit reflects that perseverance.

I owe a debt of gratitude to several special people who encouraged my work and provided appreciated support. Their assistance with tedious tasks and willingness to learn about what I do were crucial in bringing this exhibit to life. I also want to extend my heartfelt thanks to the Phipps Center for the Arts for inviting me to utilize their incredibly beautiful space and to everyone who took the time to explore this exhibit.

I hope that Ganawenindizo continues to spark connection, conversation, and inspiration among all who experience it. Miigwech, Thank you all for being a part of this journey—it means the world to me. 

​- Hillary Kempenich

Guide to exploring Ganawenindizo

Ganawenindizo Exhibit Guide

​In the heart of these creations lies an exploration of the resilient spirit of Anishinaabe womanhood. Through vibrant hues and intricate strokes, this body of work delves into the essence of connection—to our celestial selves, to nature's secrets, and to the ancestral wisdom woven into our existence.
 
Each painting, writing, and installation piece is a celebration—an ode to the beauty, strength, and profound meaning inherent in our traditions and identities. The title of this series, Ganawenindizo, speaks not only to the act of self-care but also to the collective empowerment passed down through generations of women who have shaped the artist's journey.
 
As you step into Gallery Two, you're invited to engage with the installation piece Illuminating Prayers, which reflects a childlike interpretation of a birchbark wigwam, as a reflective piece that compliments the painting Illuminating Darkness. Suspended jingles beckon you to dance, walk, pray, or meditate among them, resonating with the rhythms of tradition and renewal. Here, the boundary between observer and participant blurs, inviting you to become part of the artwork's narrative. Surrounding the installation is a journey of the artist's reflection not only on her career but also as a narrative of maternal resilience and inner strength passed down through generations has always been present.
 
In Gallery Three, take a moment to immerse yourself in the poetry and water feature installation. The undulating fabric, reminiscent of waves, carries within it the memories and stories of Nibi—water—and its significance in Anishinaabe culture. Look above at this fabric, and you'll find writings and drawings contributed by members and visitors of Anishinaabe communities, sharing their intimate connections with Nibi, weaving a collective tapestry of reverence and gratitude.
 
In the Overlook Gallery, a sacred space of reflection awaits. Here, the artist extends a heartfelt invitation to engage with the artwork in a deeply personal way—to leave behind your own reflections, musings, and memories.
 
As you step into this sanctuary of self-expression, you'll find a collection of materials inviting you to participate in Ganawenindizo's ongoing dialogue. Whether through the written word, visual art, or whispered prayers, your contribution becomes a part of the tapestry, enriching the collective experience for all who encounter it.
 
This gallery serves as a mirror, reflecting the artist's vision and the diverse perspectives and stories of those who pause to engage with the work. It's a space of shared vulnerability and profound connection—a testament to the power of art to transcend boundaries and unite us in our shared humanity.
 
So take a moment. Allow yourself to be fully present in this sacred space. Leave behind a piece of yourself, knowing that your voice, your truth, adds depth and richness to the narrative of Ganawenindizo. In doing so, you become an integral part of the ongoing journey—embodying the resiliency and beauty that defines us all.

Should you be interested in purchasing prints and other items to support my work, please visit Zazegaa Designs